In 1991, comedy legend John Cleese was asked by Video Arts to speak about his experiences with Creativity and the importance of creativity in management and business. Filmed in the Grosvenor House Hotel on 23rd January 1991. At the time it was transmitted via Satellite link to a global audience.

Award-winning choreographer Alexander Ekman dives into the subject of creativity by meeting scientists, professors, artists, film directors and choreographers, with the goal of trying to understand every aspect of the phenomenon.

This film traces the dramatic rise and fall of workplace cooperation at Eastern Airlines. In so doing, the film uncovers the deep-seated assumptions which underlie our culture of industrial relations and prevent us from breaking out of our industrial impasse.

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A string of strange occurrences prompt a dedicated office worker to investigate the nature of his self contained reality

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Desire Management is a film by Noam Toran comprising five sequences in which objects are used as vehicles for dissident behaviour. In the film, the domestic space is defined as the last private frontier, a place where bespoke appliances provide unorthodox experiences for alienated people: An airline hostess with a unique relationship to turbulence, the owner of a mysterious box which men ritually visit to look inside, an elderly man who enjoys being vacuumed, a couple who engage in baseball driven fantasies, a man who is forced by his partner to cry into a strange device.

Questionably inept Hannah and Henry run a startup Project Management company organizing events for clients with varying degrees of success.

Journalist Bill Moyers examines various forms of creative expression by interviewing noted artists and performers regarding their influences and inspiration, and looking at unusual outlets for the creative impulse.

This film is about the francization of Québec that has taken place since the Parti Québécois won power from the Liberals in 1976. It shows how the once powerful anglophone community is now questioning its very survival. It discusses some of the motivating forces behind Québécois nationalism. The film concludes by asking if the Canadian nation can survive if neither of its major language groups is welcome in the territory of the other.